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Opening in October, the New Mexico Museum of Art included some of my work in the Alcoves 16/17 #5 Exhibit.  The Alcoves exhibitions focus on current work by contemporary NM artists and change every 7 weeks.  It is truly amazing how many accomplished, exciting artists are working here.  16/17 #5 happened to include two of my cohorts in the Lady Minimalists Tea Society, Shaun Gilmore and Signe Stuart, along with Kelly Eckel and Mira Burack.  Curator Kate Ware did an outstanding job of selecting artists whose work is strongly related and set up a 5-part dialogue among our individual spaces in the large hall of the museum.

Kate chose 5 paintings from the Elegy series that I made after my husband, Wayne, passed away.  As always, the work is watercolor on translucent Yupo paper (a synthetic paper).  Elegy #19, above, epitomizes my intuitive, receptive painting process and conveys the mixed emotions of grief, calm, and wonder I was feeling at the time (2014).

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Here I am speaking to a crowd at the Museum about my work.

The show is down now, but was chosen as one of the 10 best art events of 2016 by the New Mexico critic for art ltd. magazine.  Thanks, Jon Carver!  We also got positive reviews in the Santa Fe New Mexican Pasatiempo magazine, THE Magazine, and Visual Art Source, an on-line publication.

 

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Although the show is over, I am still considering the significance of this exhibit, which beautifully demonstrated the continuing influence of Modernism on the arts here in New Mexico.  This influence, abundantly present in our local galleries and museums, was one reason I moved to Lamy back in 1997.  I felt my work could be seen here in a context that doesn’t exist in Southern California, where I was living, nor in New York, where it has been all but superceded by more recent ideas like conceptual art, identity and political explorations and the celebrity art culture.

Cumulous Skies brought the work of over 30 contemporary artists together with the art of earlier 20-th century painters and visionaries like Georgia O’Keeffe, John Marin, Agnes Martin, Marsden Hartley and Ansel Adams, who all spent signifiant time in this state, finding fellowship and inspiration here and influencing the path of Modern Art.  They, in turn, were influenced by Native American crafts – the Navajo weavings and pueblo pottery – and something about the landscape and clear light of New Mexico.  I don’t think the seminal importance of our “Land of Enchantment” has been fully realized by the wider art world.

Curated by artist Larry Fodor and supported in part by a grant from the NEA,  Cumulous Skies showcased paintings, sculpture, ceramics and video art from our varied constituency of Native Americans, “Anglos” from all over the country who have chosen to live here, and artists of New Mexico hispanic background.  It was a stunning display of variety and coherence.

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